Samantha Morton Exclusive Interview

4 months ago 14th Jul 12:30

So she set this charity up an she has now been awarded an OBE, she has offices in Manchester and London and she is someone who has made a world of difference to people’s lives and it’s courage like that I just found incredibly enlightening and exciting.

I phoned the charity up and said ‘can I help and be part of it?’ she was like ‘absolutely’ because it was something that was close to my heart so when I heard about this I was really excited that there was a foundation such as this giving this kind of money away and opportunities. And obviously the charities will gain a lot from this but the individuals themselves it’s a life changing opportunity.

And you spent a day with your favourite charity National Voice what did you get up to?

Well it’s interesting that you say favourite because I have quite a few charities that I am affiliated with, and it’s tough when you have to pick one to go and work with for a day, but I worked with them because they are the smaller charity and they really need more money, more membership.

So what they had me do was just like any other volunteer would do which was helping to fold up black bin bags because they have a campaign at the moment called This Is Not A Suitcase and basically kids in care, and there are over sixty thousand children in care, and they might move on average ten times a years, that might be from foster places or children’s homes, and we found that 99.9% of kids that moved home the social workers or the foster parents would put all their stuff in a black bag and they would move somewhere else, and the message that that sends the kids and makes them feel is awful.

So I spent the day helping them with their campaign handing out bin bags with a sticker on it saying This Is Not A Suitcase and people learning that this is how people are treated, I did that first of all, then they asked me about their application form if I thought it was eye catching and I just thought ‘ Oh my god I wish I was a designer’ so I could say no this is wrong, that is wrong, this is what is eye catching, you might be brilliant in your heart at setting up a charity but you might not be good at business or design and these smaller charities people to go and work with them with all their different skills.

So many famous and well known people do back charities how important do you think that it?

It’s a trick one it’s a two tiered cake if you will because on one angle it’s very exciting for a charity when they get a famous face who will support it, give quotes and all the rest of it. But for someone like myself, when I started working for charities, I found it frustrating that I could help more I didn’t want to just be a smiley face on picture I wanted to understand more about the charity and actually do as much hands on wok as I could do for example Save the Children send me off to Timor to work in refuge camps, real grass roots stuff, the on the other hand with friends of mine I might be doing a gig trying to get bands to perform and raise money that way, or a fashion show or whatever raises serious amounts of money for charity.

That aspect is fine but some celebrities seem to be endorsing lots and lots of different charities and somewhere along the line the public get a bit cynical about it you get so and so, I’m not going to name any names, who are UN Goodwill Ambassadors and they open their mouths and you are like you do not have a clue what you are talking about, you don’t care and it isn’t something personal to you so you have to be very careful what you get involved with and why.

You are best known as an actress who has moved between big budget movies such as Minority Report and smaller projects like Control in a career that has spanned a decade how now do you choose your roles and how has it changed throughout you career?

I don’t think it has changed at all it’s always down to if I liked the script, an interesting part and interesting director, someone I could get along with, it might be that I can’t do some jobs because of the travel and the country that it’s in and I think ‘I can’t take my family there right now’ so it’s always been the same the integrity of the script.

What was it about the Longford script that drew you to the part of Myra Hindley, which is a very controversial subject?

I initially said no to that because had personal issues with playing such a character but then they approached me again and I looked at the bigger picture and I thought ‘hold on a second if I am an artist, a true artist, art should raise questions and make people think’.

And this film wasn’t about Myra Hindley as you correctly say it was about Longford, he was an incredible man, a very interesting human being and very inspirational.

The film was about him and about the change in policy should life mean life? And all these questions about the judicial system that I find fascinating so in a way in order for it to ring true having an actress on board was, I suppose, better do you know what I mean? Than having the prosthetics and trying to do an Myra Hindley impression because it certainly wasn't about that it was about the greater issue.

You did face some criticism from the victim's families how difficult was that to cope with?

I didn't read any of it because I don't read the press but all I can say is that I am terribly sorry that drama, and if they would like to pick me out that's fine I can take that on board, I can only apologise for any hurt and offence that was not the reasons why we made that drama at all.

I think all the people that have been effected by that were to ask themselves about the judicial system they might think that it needs to be reformed, I'm not suggesting that they let people out early, but life should mean life for some people. It's very topical and all I can do is apologise from the bottom of my heart if I offended anyone from doing my job.

In recent roles you have played strong and interesting women such as Deborah Curtis and Mary Queen of Scots what was it about these multi layered women that interest you so much?

It's funny because last year, no not last year the year before, I played Marilyn Monroe, Myra Hindley, Mary Queen of Scots, Deborah Curtis it was quite bizarre really. To be honest it's about character and about getting my teeth into something and finding this roles, or the project, fascinating like with Longford I was attracted to the idea of social reform.

A project like Mary Queen of Scots it's very exciting because it's a big budget film and you get to wear the dresses, it's like playacting when you were a kid. And I suppose Deborah Curtis is just someone that I admire greatly and having read her book I was blown away by her story and really wanted to play her the diversity makes my life interesting.

And that brings me back to the World of Difference campaign because I'm so lucky I have a very interesting life I get to travel all over I'm really really lucky and there must be people who are bored and dissatisfied and have such a lack of self worth and ding something like this could really change their life.

And what is your latest film project?

The latest film I have coming out is Synecdoche, which premiered at Cannes, and it's Charlie Kaufman's directorial debut, he is a writer he wrote Adaptation and being John Malkovich, and it's with Phillip Seymour Hoffman. So that is the film that I have coming out and I just finished a project last week called The Messenger, with Woody Harrelson and Ben Foster, I play an Iraqi war widow, my husband goes out to fight in Iraq and doesn't come back, so that quite topical and I'm about to start directing my own stuff.

I was just about to ask you about that you are about to make your directorial debut on The Unloved what was the attraction of moving behind the camera?

I tried to get other people to direct it first and they all said no you do it and I thought 'no' and then the years went by and I couldn't stop thinking about it, I used to lie in bed at night and see the shots in my head. I have an incredible producer on board Kate Osbourne and Revolution Films are doing it for me, Michael Winterbottom and Andrew Eaton's Company, so I'm with really great company.

You are a mother of two how hard is it to juggle you career and your parenting commitments?

Really hard and it changes all the time what they need changes and what I need changes so you have to be adaptable and if you remember to put your children first and make sure that the choices that you make are the right choices for the family I think you can sleep at night.

It isn't easy at all, I have an eight year old and a six month old, and the government didn't make it easy for me a long time ago because I needed a have a nanny, because I was a single mum in order to work, and there is no way you could claim but I think now you can so it's been made a little but easier now.

How difficult has it been working for those charities such as Save the Children, knowing that you are a mother, how difficult is it to see all those children in poverty and without families?

Well it's interesting that you say that because I have worked for Save the Children and gone off and seen horrific things but I see things like that here everyday I really do. I think it's how strong you are as a person and, after you get over the initial shock and upset, you must always retain the innocence that you have you can't get numb to it you can't get cold to it because then it doesn't get that fire in your belly to change things and I always try to keep that going.

In regards to being a mother I work with a very supportive group of people and we are all working together for the same cause I sometimes need to be briefed in what they need me to do but we are all here for the same cause.

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FemaleFirst Helen Earnshaw

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